Jan BoeckhorstBorn in Westphalia, in either Menster or Rees, Boeckhorst moved to Antwerp around 1626. He had a close relationship with Rubens's studio, finishing paintings designed by that master as well as assisting with large series such as the joyous entry of Cardinal-Infante Ferdinand in 1635 and the Torre de la Parada. He also collaborated as a figure painter in landscapes and still lifes by Jan Wildens and Frans Snyders, and sometimes painted lively group portraits.[1] He traveled to Italy in the years 1635-1639 and joined the Bentvueghels with the nickname Lange Jan (Tall John). Cornelis de Bie, in his Gulden Cabinet der Edel Vry Schilderconst (The Golden Cabinet of the Honourable Free Art of Painting; 1662), remarks that Boeckhorst was a student of Jordaens. Works in that master's style include large genre paintings of the 1640s such as Peasants going to Market (Antwerp, Rubenshuis), which also acts as an allegory of the four elements. In the 1650s and 1660s Boeckhorst painted altarpieces for churches throughout Flanders and designed cartoons for tapestries. | |||
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Apollo and the Python Gemälde ID:: 86576 Siehe Galerie in Schweden |
Apollo and the Python 17th century Medium Oil on canvas Dimensions 59.9 x 51.2 cm (23.6 x 20.2 in) cyf 17th_century _ Medium_Oil_on_canvas _ Dimensions_59.9__x__51.2_cm_(23.6__x__20.2_in) _ cyf |
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Achilles among the daughters of Lycomedes Gemälde ID:: 98057 Siehe Galerie in Schweden |
Achilles among the daughters of Lycomedes after 1650(1650) Medium oil on canvas Dimensions 129.5 x 179.5 cm cyf after_1650(1650)_ Medium_oil_on_canvas_ Dimensions_129.5_x_179.5_cm_ cyf |
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1 | Vorheriger Künstler Nächster Künstler | |||||||||
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| Jan Boeckhorst | ||||||||||
| Born in Westphalia, in either Menster or Rees, Boeckhorst moved to Antwerp around 1626. He had a close relationship with Rubens's studio, finishing paintings designed by that master as well as assisting with large series such as the joyous entry of Cardinal-Infante Ferdinand in 1635 and the Torre de la Parada. He also collaborated as a figure painter in landscapes and still lifes by Jan Wildens and Frans Snyders, and sometimes painted lively group portraits.[1] He traveled to Italy in the years 1635-1639 and joined the Bentvueghels with the nickname Lange Jan (Tall John). Cornelis de Bie, in his Gulden Cabinet der Edel Vry Schilderconst (The Golden Cabinet of the Honourable Free Art of Painting; 1662), remarks that Boeckhorst was a student of Jordaens. Works in that master's style include large genre paintings of the 1640s such as Peasants going to Market (Antwerp, Rubenshuis), which also acts as an allegory of the four elements. In the 1650s and 1660s Boeckhorst painted altarpieces for churches throughout Flanders and designed cartoons for tapestries. | ||||||||||
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